![]() ![]() This is a technique by which filmmakers take advantage of the two-dimensional nature of film cameras to produce an optical illusion. ![]() It’s easy to use Adobe Premiere Pro to increase or decrease scale in the Video Effects section.Įver wonder how they made Will Ferrell look so big compared to Bob Newhart in Elf? Or how Gandalf could tower over the hobbits in The Lord of the Rings? The answer, most often, is forced perspective. ![]() If you can’t get it right, try doing it in post-production. It may take a lot of practice and teamwork to get it right. “The character seems to get bigger in the frame, and that aligns the viewer with that character and that character’s inner world,” says filmmaker and writer David Andrew Stoler.ĭolly zooms are difficult shots because the camera has to move while the lens refocuses with just the right timing. The effect serves to highlight the chief’s horrified realization. In Jaws, when the police chief realizes there’s a shark in the water, the camera zooms out while the dolly pushes in, and the world seems to shrink around him. Vertigo’s famous dolly zoom shot captures the disorientation Jimmy Stewart’s character feels as he looks down the stairwell of a church tower. (This effect requires a DSLR or other video camera with a manual focus ring.) The subject stays the same size while either the background or foreground gets bigger and more detailed, disrupting the viewer’s spatial perception. Developed with film cameras for Alfred Hitchcock’s Vertigo, the dolly zoom involves changing focus smoothly from long shot to close-up (or close-up to long shot) while the camera moves on a track away from (or toward) that subject. ![]()
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